Artist Interview - Ilona Kazakevica

Description of the Work

These pieces consist of 4 delicate silver point drawings on board at A3 scale.

How it links to Ethereal

As Ilonas work is characterized by time and delicacy it fits our theme perfectly. The beauty of the pieces are ethereal in themselves.

Interview 

 

Faith interviewed artist Ilona Kazakevica using the following questions to explore the context and concept of her work. 

1. Please outline your inspirations for your current practice in relation to this artwork?

Meaning in works is intimately bound up with the symbolic representation of time. In a sense, being fully human consist of being aware of time in all its modes: duration, succession, change, cycling time and the proximity of the past. They fall into four life stages, each reflecting a particular perspective upon the world. These drawings are executed in metalpoint (silver wire). A silverpoint line is characterized by limited tonal range-it is a pale silvery grey upon application no matter how heavily to press. As the silver ages, it oxidizes (tarnishes) and its colour shifts toward a warm grey-brown. With the metalpoint stylus tonal variations are achieved by altering the density of the parallel hatching. Therefore, metalpoint drawings are also central object of this study and thus their visual examination. The taste for linear delicacy, firmness and precision led to the use of metalpoint as a natural additional technical choice. It has attached me as I enjoy process and careful mark-making, and value precise refined draftsmanship and the technique’s exacting, labour-intensive yet quiet and meditative discipline. In a time of rapid changes-speed, technology, and mass production-metalpoint offers me a connection with a potent creative tradition. The fine delicate lines inevitably reveal an affirmation of human presence. The radiant metallic glint offers evidence of both its endurance and mutability. My interest in drawing in metalpoint was sparked by enthusiasm for studying the masterpieces of the past as I was fascinated with the drawing of van Eyck, Durer, Rembrandt and Leonardo.

2. Is this work an extension of orecious practice or something completely new or groundbreaking and if so what has been exciting about this work?

 University library rank right up there among my favourite places. When I need a break or inspiration , I go to the library and escape to endless information.

3. What feedback have you received from tutors regarding your practice and your work and how has that affected your practice as an artist and this particular work?

Know the room (think about relationship between work and audience)

4. Can you give us any tips for our curatorial project? What was challenging and successful in your own Art and Exhibition module last year?

 Exhibiting is about having great ambitions. Experiment with lighting, sound, posters. Be open and creative to new ways of presenting. You need to be unique and engaging for your display to be memorable for the hundreds of show attendees. Enjoy what you do, and do what you enjoy.

Best Wishes,
Ilona
Silverpoint Drawings